Short History of the Media Archaeology Project

 

The series of programs Media archaeology has been so far taking place in Academic Film Center of the „Students’ City“ Cultural Center, as part of the regular program.

Academic Film Center was founded in 1958 in Belgrade, and after establishment of „Students’ City Cultural Center in 1976 it was moved into this institution.

Bosko Prostran and Jovan Backulja, going through the materials from the collection of the Archive of alternative film and video gathered a corpus of media material and suggested to Aleksandra Sekulic to screen it as a part of the program of Academic Film Center. Realizing the quantity and the variety of the material is exceeding just one program, Academic Film Center started it as a series of programs, and Aleksandra suggested the title Media archaeology, aluding to the process of its preparations and to the deviation of the meaning of the term compared to its roots in theory. This series of programs entered a game of relations to another series in AFC called Black market, prepared by Sasa Markovic and Micun Ristic, which enabled the young audience of AFC to have insight into pop culture phenomena each month through the dynamic „talk show“ discussions and video illustrations.

The first program „Media archaelogy: Economic propaganda program“ was held in October 2006, and offered to the audience an insight into blocks of TV commercials from the period of 1980’s in Socialist Federative Republic of Yugoslavia, with the analysis of social context and dramaturgy, given by Prostran (politicologist) and Backulja (film director). In December 2006, this program was included in the program of Alternative film&video 2006, and had a great success, getting the first invitations for its distribution in the country and in the region.

To the abjections of the director of the „Students’ City“ Cultural Center that these two series are not according with the Academic Film Center program profile, best response was the attendance and developement of these series, as well as the attention given to the aspects of media dramaturgy and creative practivces in this kind of production, and to their influences on alternative culture and art. With growing outreach and audience, the series continues with the programs: „Music video in SFRY“ (with the sequel and guests: Dragomir Zupanc, National television of Serbia and Drasko Djurovic, who presented TV production in Montenegro at the period of 1980’s), „Sarajevo pop“, „Margine against margine“, „The song that lasts“ (with the guest Dusan Grlja from Prelom magazine), „Eurosong through the centuries“.

With the program „Media archaeology special: Asia“, the program enters a wider frame of analisys of the translation of the Western pop culture in Asia in the forms of music video and genre films, which was estimated as one of the most successful issues of this series.

In 2007, the team of the project starts with the preparation of the research of the material for the new series „The nineties“. Stevan Vukovic was invited in order to approach to this complex task in the best prepared way. The project was designed as a complex analisys of the media phenomena specific and authentic for the period of 1990’s in Serbia (TV Monologue, TV Metaphysics, etc) and gets the support of the Ministry of culture and media of Republic of Serbia. Paradoxically, the director of SCCC Miodrag Milosevic continues the pressure on the team of the project by problematizing the authorship over the project, its significance in the program of the Alternative film&video festival, and the team finds the support in Archive of alternative film and video where it prepares the programs.

The new series starts in September 2008, with the program „TV Monologue“ featuring the invited guest Zoran Skopljak. The next issue is dealing with the music video of the 1990’s in Serbia, which opens several important topics and expands the number of contributors and the audience. In the programe of the festival Alternative film&video 2008 Media archaeology made a special edition dedicated to Sonja Savic. After the successfully closed festival, the director declares the decision to move Aleksandra Sekulic from AFC SCCC, which brought the question of the continuation of the project. The director claims that the project is welcome in AFC, but at the same time members of the team of the project are no longer able to use the editing room of AFC, because „serious films“ will be produced there, but to prepare the program in the Archive of alternative film and video which they can enter through the basement and backstage of SCCC.

January 13th, 2009, A. Sekulic files a warning that without necessery preparations and redirections of the collaborators of the project to the new channel of communication the functioning of the e-mail address alternative@dksg.co.yu shouldn’t be interrupted, and on January 14 gets a notice she has to hand over the computer and the address on January 15 to the Committee of SCCC and Miodrag Milosevic (he controls now the address personally). Due to the fact we only had one afternoon to notify numerous colleagues and collaborators, in case we haven’t reached you, please resend us your contributions and emails to this address.




Archive:




BOŠKO PROSTRAN

"AFC or Catch 22"
"About Media Archaeology"

IVKO ŠEŠIĆ

"Le Club c'est moi"

NEBOJŠA PETROVIĆ

"AFC Experience"

ALEKSANDRA SEKULIĆ

JOVAN BAČKULJA

IVICA DJORDJEVIĆ

ISABEL HERLING

"E-MOTION-MEMORY"
 
  
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Gospodin on 31.01.2012. 17:42
Kada biste kako nasli tv duel Draskovic-Seselj iz 1996-te ili `97-me to bi bio hit!

Vldmr on 21.05.2011. 23:43
Crni talas. Pritom ne govorim o filmu. To je jedini pravi talas koji je uvek aktuelan i na kom svi surfujemo. Od zadovoljstva samo da nabijes ruke na kafanske čaše.

Full rispekAt on 14.04.2011. 00:20
Bravo Borka!

Amon on 25.01.2011. 23:08
Ovo je takvo smece da ga treba ponovo zakopati kao opomenu iducim generacijama. Ovako se samo stvara kult i jednog dana moze postati predmet obozavanja.

Pavle Ćosić on 29.09.2010. 23:49
Mnogo mi je žao što još uvek niste okačili reklame iz sedamdesetih i osamdesetih, ali kapiram i zašto. Imate materijal zlata vredan... Nadam se da kad proputujete region da ćete napokon staviti to ludilo.

Marko on 16.07.2010. 00:08
Puno hvala za ovo... da li mozete da postavite neki dzingl sa Pinka iz '90-ih... to su oni spotovi gde su uglavnom skakale neke devojke a tekstovi si bili nesto tipa "gledaj pink danima i nocima, samo pink" i tako slicno... jel ima neko i dal moze da postavi, bilo bi super :) hvala unapred...

Nenad on 11.07.2010. 01:50
Snimci su ODLIČNI! Svaka čast što se barem neko setio da jednu čitavu deceniju televizije sačuva od zaborava! Ako budete imali još, znajte da ću biti među prvima koji ću ih pogledati :)

Medarh on 25.12.2009. 16:22
Može. Samo klikni na ikonu
koja se nalazi na plejeru
sa leve strane od full screen, i save.

Djole on 15.12.2009. 04:15
Jel moze neki link za download ovog snimka ?

Medarh on 04.11.2009. 12:38
@Bane
Naravno da moze.
Posalji nam mejl na medarh@medarh.org, pa cemo se dogovoriti.

Bane on 01.11.2009. 00:24
moze li se dobiti ili skinuti nekako video snimak

dominator on 17.10.2009. 05:56
napokon :)

Vlasta Mikic Volcano on 24.09.2009. 20:26
Nadam se da ce ovo biti interesantno, sredjujem dokumentaciju pa ce biti jos toga
http://www.youtube.com/user/floatingpointunit
1996 OBSERVATION PLATFORM. An installation project specifically designed for simultaneous live view and broadcast on the internet, HERE Gallery, NYC, Project by: Floating point unit group(Jeff Gompertz, Vlasta Volcano Mikic, Bruno Ricard, Prema Murthy)

DV NIKT on 29.03.2009. 17:00
"...The term "repression" was officially used to denote the prosecution of people considered as anti- revolutionaries and enemies of the people. The purge was motivated by the desire on the part of the leadership to remove dissident elements from the Party and what is often considered to have been a desire to consolidate the authority..." -1937- Bio sam aktivni clan A.F.C.-a 1987-1991. DV NIKT

Arjan Brentjes on 03.03.2009. 16:27
My name is Arjan Brentjes. Last December one of my films was selected for the Alternative Film/Video Festival in Belgrade, organised by the AFC. The atmosphere was of a pleasant cultural exchange, and vibrant creativity. It inspired me to write a screenplay about the experience for a short film called 'Belgrade'. For this project the renowned Dutch art fund 'Fonds BKVB' has granted me a subsidy to finance the main part of the project. The production of this film will take place partly in Amsterdam and partly in Belgrade. For making the part of the project that takes place in Belgrade itself run smoothly I've asked Aleksandra Seculic to make all the necessary arrangements. I have great confidence in her professionalism. During the week in December when I was a guest of the festival I was impressed by the enthusiasm and efficiency of Aleksandra and her team. To me, replacing Aleksandra away from the AFC would seem to be a big mistake. I don't know if opinions like these can make any difference, but at least they should be heard.

Cristina David on 28.02.2009. 18:10
I first arrived in AFC in November 2007, as a guest, being one of the rewarded artists/film makers participants of Alternative film/video 2006. I am traveling quite a lot and i got to know many teams and people in charge with organizing artistic events, from all over Europe. Forgive my childish enthusiasm when i say that the AFC team ( Aleksandra, Nebojsa, Athanasia, Ivica, Ivko, Marko and most of the people I had contact with in that one month of staying in Belgrade, living in the Cultural Center, in the beautiful red room from the ground floor) it is the best team i ever meet. Perfect team. I instantly got charmed by their good energy, their team spirit and their passion for films. They ARE a perfect team- because in my mind they ARE still a team, despite the absurd decision that it is taken by mr. Milosvic. I refuse to use a past verb when referring to their beautiful group. I will return to Belgrade tomorrow at the invitation of Aleksandra for the project Videography of the region. It is hard to believe I will not meet her in the same office space and the others around, in the back room, editing or archiving films. When i first read/hear this news, I was shock to hear that Aleksandra not only she was not promoted, as she is supposed to be because she is dedicated 100% to AFC and she did excellent job, but she didn't even get the smallest respect or appreciation for her achievements from mr. Milosevic. Instead of giving her a reward or promotion, he acts very rude by not taking in consideration her wish and without any transparency, creating problems in a place that was improving professionally because of the enthusiasm of the people which mr. Milosevic is disconsidering right now with his absurd decision. I believe the "veterans" from AFC should work together with the youngers, not against them. It is common sense, mr. Milosevic! Dear Aleksandra, dear team, you all have all my support!

Mousa Alijani on 12.02.2009. 08:23
Dear Friends I think this project is very interesting .all the best for your team.specialy : ALEKSANDRA SEKULI? - IVICA DJORDJEVI?-BOKO PROSTRAN .That I visit two years ago in Academic Film Center in Belgrad . Mousa Alijani .Iran

Ron Sluik on 10.02.2009. 11:50
Dear Friends, You have my full support! I do not know exactly what that means but it comes with good spirit. Leave mr. MM behind and see it as the birth of something truly beautiful!

Milen Alempijević on 09.02.2009. 08:32
Saradnja Doma kulture u Čačku i AFC-a je novijeg datuma, ali je, zahvaljujući Aleksandri Sekulić, u više navrata uspešno realizovana, na zadovoljstvo čačanske publike koja prati događanja u okviru filmskog i video programa Doma kulture. Ne ulazeći u prirodu motiva rukovodstva DKSG koji su doveli do pomeranja Sekulićeve sa vitalne pozicije u AFC- u, smatram da je takva odluka kontraproduktivna i vrlo nepovoljna po imidž DKSG. Iz tog razloga želim da ovim putem iskažem moralnu podršku Aleksandri Sekulić i timu okupljenom oko vanserijskog projekta kakav "Medijska arheologija" definitivno jeste.
Milen Alempijević, koordinator filmskog i video programa Doma kulture Čačak i izvršni direktor međunarodnog festivala animacije ANIMANIMA

neda dokic on 09.02.2009. 01:14
NEGODUJEM! Evo ja sam sad slucajno cula da je Aleksandra Sekulic smenjena i ne mogu da verujem. Ajde da se lepo smene svi koji valjaju pa da nam krene... Smenjena je zato sto je valjala? Valjala kvalitet? Valjala kulturu?

Velibor Simovic on 08.02.2009. 14:13
Ja sam c'lan Akademskog kino - kluba od njegovog osnivanja. Nisam se bavio autorskim radom, ali sam res'avao neke tehnic'ke probleme, kao s'to je izrada trik-stola za animiranje filmova, mehanic'ko res'enje problema paralakse i poluautomatskog sistema za izbegavanje sluc'ajnog zadrz'avanja ruke u vidnom polju kamere. Rukovodio sam kno-sekcijama u osnovnim s'kolama "P.P. Njegos'", "22. decembar" i "Jovan Cvijic'". Bio sam politic'ki angaz'ovan u okvirima rada koji sam obavljao, pa bi, moz'da, moje subjektivne ocene sistema informisanja, mogle da doprinesu validnosti ove arheologije.

Prelom magazin on 07.02.2009. 14:57
Direktor Doma kulture „Studentski“ grad Miodrag Milošević je samovoljnim udaljenjem Aleksandre Sekulić sa mesta urednika Akademskog filmskog centra (AFC) Doma kulture „Studentski grad“ onemogućio dalji razvoj izuzetno uspešnih programa koje je ova urednica pokrenula i vodila u protekle četiri godine. Njenim uklanjanjem onemogućen je i dalji rad brojnim stalnim saradnicima na redovnim programima AFC- a. Takav potez direktora – koji je i sam istaknuti radnik u kulturi i nekadašnji dugogodišnji urednik AFC- a – ne može imati nikakvu argumentovanu osnovu, budući da je Aleksandra svojim radom nedvosmisleno potvrdila da posao urednika obavlja u najboljoj tradiciji pomenute institucije. Preuzimanjem festivala Alternative Aleksandra je u protekle četiri godine oživela internacionalnu manifestaciju koja služi na čast celokupnom kulturnom životu Beograda i koja okuplja brojne, kako već priznate tako i mlade stvaraoce eksperimentalnog filma i videa. Ovaj festival je svojim kvalitetom i dobrom organizacijom zadobio poverenje ne samo u međunarodnim krugovima stvaralaca alternativnog filma, već i među publikom koja u sve većem broju posećuje i prati ovu manifestaciju. Uspostavljanjem redovnih programa kao što su Medijska arheologija i Black market i negovanjem eksperimentalnog formata, istraživačko- kritičkog pristupa i kolektivnog duha javne delatnosti, Aleksandra i njeni saradnici uspeli su da pridobiju pažnju kako stručne javnosti, tako i brojnih mladih ljudi i studenata koji predstavljaju bazičnu ciljnu grupu institucionalnog programa AFC-a. Kako dobro poznajemo rad Aleksandre Sekulić i sarađujemo na raznim programima Doma kulture „Studentski grad“, na ovaj način ulažemo javni protest protiv samovoljne i nerazložne odluke Miodraga Miloševića navedene na početku ovog pisma. Takođe, pozivamo delatnike iz oblasti kulture da iskažu svoje negodovanje, kao i nadležne da stanu na put ovakvoj destruktivnoj praksi.
Prelom kolektiv
Dušan Grlja - sociolog, teoretičar kulture i društva
Jelena Vesić - likovna kritičarka i kustoskinja savremene umetnosti
Dragana Kitanović - teoretičarka filma
Zorana Dojić - kustoskinja i menadžerka u kulturi
Radmila Joksimović - kustoskinja Salona Muzeja savremene umetnosti, Beograd
Vesna Madžoski - teoretičarka kulture, umetnosti i filma

Ivan Mandić on 06.02.2009. 12:06
Na portirnici Doma kulture "Studentski grad" imao sam priliku da pročitam rešenje o prestanku rada Aleksandre Sekulić u Akademskom filmskom centru. Ovaj dokument, koji je potvrdio ranija spekulisanja me je pogodio jer sa Aleksandrom sarađujem od kako je počela sa radom u AFC-u. Naša saradnja je uvek bila plodonosna i uvek je svojim ličnim zalaganjem, kontaktima koje ima i idejama koje je unosila činila da filmovi na kojima sam radio pređu na viši nivo kako produkcije tako i idejne realizacije. Kao neko ko se aktivno angažuje u radu AFC-a, kako kroz svoje filmove tako i kroz filmove drugih autora, osećam se loše kada se neko ko je toliko važan član za funkcionisanje jedne nezavisne i duhom slobodnog stvaralaštva ispunjene kuće na ovaj način lišava mogućnosti za rad i samim tim lišava i nas autore neophodne podrške i učešća u realizaciji ideja. Želeo bih da pružim podršku Aleksandri u ovim, po nju sigurno teškim trenucima i da u svoje ime, i sigurno ne samo svoje, izrazim želju da Aleksandra nastavi da radi na dobrobit svih koji smo u prilici da radimo na mestu toliko bogatom tradicijom filmskog stvaralaštva i nezamenljivom mestu susreta autora iz raznih oblasti kao što je AFC.